The New Cinema Camera Dominating the Film Industry
SMRTR summary
A quiet revolution is unfolding behind the camera in cinema. The Arri Alexa 35 has dethroned its predecessor, the long-dominant Alexa Mini, claiming the top spot at both Sundance and Cannes in 2026, each with roughly 30% of productions choosing it as their primary camera.
But the more striking story is celluloid's stunning comeback. At the 2026 Academy Awards, film cameras outpaced digital, with 58% of Best Picture nominees shot on analog formats ranging from 35mm all the way up to IMAX.
Meanwhile, documentary filmmakers are living in an entirely different world. On those leaner budgets, the Sony FX6 rules, prized for its autofocus, lightweight body, and versatility in unpredictable environments.
What emerges is a cinema landscape split along budget lines. Smaller productions chase accessibility and utility, while bigger budgets chase texture, grain, and the irreplaceable character of film. Two philosophies, one industry, and a renewed love affair with the look of light on celluloid.
SMRTR provides this summary for quick context. The original article belongs to Hacker News.
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